Osvaldo Lamborghini (Buenos Aires, – Barcelona, ) is one of the great With only three books published in his lifetime – El fiord (), Sebregondi. El Fiord: OSVALDO LAMBORGHINI: Books – Get this from a library! El fiord.. [Osvaldo Lamborghini; Leopoldo Fernández].
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Museu d’Art Contemporani de Barcelona. Osvaldo Lamborghini Buenos Aires, — Barcelona, is one of the great myths of contemporary Argentine literature. With ford three books published in his lifetime — El fiordSebregondi retrocede and Poemas — alongside Novelas y cuentos and Tadeys incomplete,which appeared posthumously, he has become a true cult author, a reference for generations of Latin American and European writers.
However, there is one facet of Lamborghini yet to be explored.
El fiord. (eBook, ) 
This is the visual production made while living in Barcelona, between and They shed light on the pointed radicality of this artist who remains unacknowledged by the aesthetic accounts of the eighties. The exhibition is divided into four main sections: In its lamborghhini circulates the political fauna of that time, prompting us to see it as a corrosive chronicle of pre-Olympic Barcelona. However, fjord his way of animating pornographic images with short and angry texts, he echoes the influence of William Hogarth, an artist Lamborghini repeatedly honoured.
To all this could be added War Primer Kriegsfibel, by Bertolt Brecht, a text where the German playwright also uses clippings, in this case from war propaganda magazines, juxtaposing them with short scatological, biting and lamborghkni epigrams, perhaps in response to the terrible obscenities of history.
The influences here are very broad, ranging from John Heartfield to Dadaist experiments, from Bosch and Goya ,amborghini the collections of clinical images made by Georges Bataille for the magazine Documentsi. On the other hand, the films of R.
Fassbinder and Pier Paolo Pasolini sparked an intense fascination in the writer, who dedicated numerous allusions to these authors, both in his writings and artwork.
These volumes could be about the most outlandish subjects: Lamborghini practiced here a sort of violent deconstruction, an invasive recycling, a genuine exhumation of the least exquisite corpses of the literature of the eighties.
The titles that make up the inventory question the DNA traditionally associated with Lamborghini, while helping us to understand the influence of certain artists and theorists in the deployment of his artwork.
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