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Bottesini: Fantasia “La Sonnambula” – Thomas Martin | Songs, Reviews, Credits | AllMusic
Retrieved from ” https: This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera.
The instrument was owned by several unknown bass players. Bassist Thomas Martin is equal to the challenges Bottesini throws at him, and the studio sound is above average. This money financed the acquisition of an instrument of Bottesibi Giuseppe Testoreand a globe-trotting career as “the Paganini sonnambila the Double Bass” was launched. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso.
February Learn how and when to sonnambla this template message. Please help to improve this article by introducing more precise citations.
Its advantage is the variety of material, nicely arranged so as to be evocative of a concert spectacle of Bottesini ‘s time.
His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument. The Sonnamblua bass was later converted back to a four-stringed instrument, and then to a three. Sexy Trippy All Moods.
Streams Videos All Posts. Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. Here his first opera, Cristoforo Colombowas produced in He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
The music of Giovanni Bottesinithe “Paganini of the double bass,” has been subjected to a multi-disc examination by the indefatigable Naxos label.
Booklet notes are in English only; song texts are given in Italian and English.
Fantasia on ‘La sonnambula’ (Bottesini, Giovanni)
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Giovanni Bottesini – Wikipedia
Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing. Only two positions were available: Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation. Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many have come to view the double bass as a diverse and versatile instrument.
Variations on a Scottish Air: The double bass pieces themselves are a varied group, with the bow-shredding virtuosity reserved for last in the Introduzione et Variazioni sul “Carnaval de Venise. During these years he diversified the toils of conducting by repeated concert tours through Europe. Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso.
Meditazione Aria di Bach: He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. It was built by Carlo Antonio Testore in Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan.
After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces.